July 25, 2010

Student’s Work

Student’s Project

This time I would like to share with you, the work of some of my students.  For the last two years I have been teaching a Basic Photography course at FotoGram in Amsterdam.  The students themselves come from all over the world, have different occupations and backgrounds.  However they all share one thing in common, an  passionate interest in photography.

On the first day of class, I always ask them to introduce themselves and tell the rest of the class something about themselves and what they want or expect from the class.  As you can imagine, they all want to become better at taking or rather making photographs.  This is where I come in to help them along.  On top of teaching them the fundamental disciplines, I also endeavor to infuse the students with my passion and to try to coax out them, their own feelings to be part of their image making.  As I said earlier it is a basic photography course, thus their knowledge and experience is limited.

This past spring semester I was fortunate to have some exceptional students, if not in experience then in passion and talent.  The work that you are about to look at is from their final assignment in the class.  The assignment is a photo essay.  The photos should all be connected to a single theme and relate to each other.

***note due to space on this site, I am not able to present all of the students assignments.  There are just a few culled images from their assignments for presentation here.

The first student’s work is form Max D’Achille.  Max is one of those people, that as the old saying goes, “brings a lot to the party”.  He has a wonderful understanding and insight into what contributes to emotional impact.  Max goes barefoot and apparently receives some criticism for it.  Having been a teenager in the 60’s and growing up near Berkeley, California it really wasn’t anything new to me, but for some people. . .  Max chose this part of his life style for his essay.  What he does here is put into the images much of the criticisms and comments that he has  received.  The concept is brilliant and wonderfully executed.

max1max2

max3max4max5


Next is Miranda Roos an attorney and mother.  Miranda chose a very simple theme, especially for a place like Amsterdam.  The theme, bicycles!  Yep bicycles.  As if there are not enough in the Netherlands.  However she took that and added to it just bicycle accessories and then added to that an emotional aspect to the overall theme, of one of neglect.  It was obvious she put a lot of thought into this project to come up with a theme within a theme , within a theme.

miranda1Miranda2miranda3

Andrea Suponcic, a fellow American living abroad and whose job has her traveling all over the globe.  Brought to the class an already developed eye for photography.  In fact her photo of  “Coney Island” took second place in a photo contest put on by the Foto Academy.  Since she took it before the class and not of her assignment, I chose not to show it here.  Andrea took two different subjects and spun out two excellent essays.  One was of her passport and the other is of a bridge in Cologne, Germany, where people put padlocks with messages and affix them to the bridge’s chain link fence.

Andrea's Pass1ANdrea's Pass2The lock by Andrea

Karolina Kozkowsua, just floored me with her first assignment, which is really just an exercise in focus and depth of field.  However what she did with it was astonishing.  She framed her three subjects in such a way, that it can only be described as “elegant”.  For her final assignment, she went to a graveyard in Poland and made some very moving images there of the statuary.  Through the use of her elegant sense of design, she was able to breath life into these inanimate objects.

Karlina1Karolina2Karolina3karolina5

Cathy Jeary, who came to class sporting (if I recall correctly) three different point-and-shoot cameras.  Most of the time these same cameras were unable to function because they had all run out of battery life.  However she floored her classmates and myself, with the images she made on our field trip (unfortunately I do not have these to show).  However believe me when I say they were all beautifully designed.  For personal reasons she was unable to complete the final assignments, but did show up with a few images she had recently shot, here is one that we all found compelling.

CathyJ


Filiz Yilmaz showed up to class (along with Max) with a 50mm prime lens (a rare sight site these days from those just starting out in photography).  The images she made from the weekly assignments (along with Max’s and my urging) provided enough stimulus for three of her classmates to go out and purchase 50mm primes.  For her final class project, she had written me, that she was having troubles coming up an idea.  With my usual comments, I wrote back and told her not to stress, but to have fun with it.  It is apparent that was enough.  She decided on”white” to be her theme.  Using her eye for composition and excellent use of her 50mm prime, she came up with some very interesting and well made images.  Placing white into her compositions with artistic flare.

Filiz1filiz2filiz3

Now just before I go to publish this blog entry, I have received two more student’s work.

The first of these are from Akansha  Sharma.  Akansha from India, progressed very well in the course.  In truth was a fast learner.  Also she was  always making herself available as a volunteer model during class demonstrations and assignments.  As a model, she was as good at that if not better.  She presented two themes, and from those I have chosen another to exhibit here, as I see it.  I will let you decide for yourself.

2 hands2 Doorsdoor handlesthe couple

The last of my student’s work is from Beate Fortuna.  Beate from the very beginning has exhibited an excellent eye and infuses her images with a great deal of symbolism.  She had told me of her final project plans, however she was not able to accomplish those (not her fault) and then decided  to go after another with very little time.  Throughout the course Beate had worked in B&W, however towards the end, in my lecture on color and subsequent suggestion to visit a few web sites of great color photographers, she thus chose color to work in.  Using the work of Pete Turner as her inspiration.

StripesBeate OrangeThe red faces2 Light stripesEscalator

As a teacher, I must confess to being proud of their accomplishments.  Not unlike that of a proud parent.  This is what teaching is all about.  Firing up your students with passion and inspiration along with the fundamental disciplines.  Then having them come back with work that is in itself inspiring.

July 16, 2010

Nikon Nikkor 28mm f/2.8 A-is MF

Brain Meltdown Recovery Program Part III

From the Other Direction.  Nikon Nikkor 28mm f/2.8 A-is

Once again with the weird title, I know.  This time it is for two different reasons.  In the previous two installments, I have reviewed the lenses that were acquired to replace the 80-200mm f/2.8 tele zoom.  A good lens to be sure, but too big and heavy.  This time around the lens in question is really more of a addition rather then a replacement.  The second difference is that this lens is as the title infers a manual focus A-is model, so kind of like going back in time, a trip down memory lane so to speak.

Why more of an addition rather then replacement?  The fact is I am very happy with the 17-35mm f/2.8 AF-S lens.  It does everything I need for my work as a wedding photographer.  Sharp, fast focusing and an excellent zoom range all in one package.  Though it is nowhere near as big or heavy as the 80-200, it stills fills up one’s camera bag significantly.  In my present mode of trying to lighten up, I decided to do a little research.  This research was not only for myself, but also for some of my students asking for my opinion.  Having had and been very happy with a 24mm f/2.8 Ai-s lens, it became my first recommendation to someone looking for an inexpensive and small wide angle lens to fill their kit.  It’s a great lens and can be bought on e-bay for a very reasonable price, as Nikon made a lot of them and still do.

During my research however I kept reading about another Nikon wide angle A-is lens.  Which of course is the topic of this review.  It can also be found for a good price on e-bay and in fact, I did find a used one there.  Luck shined on me, as my copy is in perfect shape and working order.  They are however still made and can be purchased new from vendors like B&H and Adorama.

Build

The 28mm f/2.8 A-is lens, like the rest of the A-is line, is simply a beautiful mechanical instrument.  All metal, glass and rubber.  There is a black enamel finish over the metal, which adds so much to the look and feel.  All marking are engraved not just painted on.  It really reeks of quality and looks like it will last forever or at least my life time.  With today’s use of plastic in the construction it is a real joy to just hold one of these A-is lenses.    Really I had forgotten how beautifully made these lenses are, and can appreciate them so much more today then before.  Compared to today’s lenses it seems smaller (most likely due to the absence of an AF system), but far more solid .  The length of the lens 59mm (2.3 inches)  and weighs a mere 250 grams  (9 ounces).

Performance

Since this is after all a manual focus lens, let me mention this first.  The focus ring is made of rubber and about 15mm wide (5/8’s inch).  The throw is about 2/3’s of a complete rotation and has a really silky smooth feel to it.  Though the viewfinders in today’s DSLR’s are not optimized for manual focus lenses, I have not experienced any problems while focusing with the D3.  In operating and experimenting the lens / camera combo, I have found that I can use the “green dot” or just focus to where it looks sharp, either way I have gotten good results.  One can of course use “live view” for the most critical focusing situations, but thus far I have not found a need for that.  The other feature that Nikon added to the A-is version was CRC or “close range correction”.  Nikon’s way of saying it has a floating elements that move in conjunction with the other elements to enable much closer focusing.  It really works on this lens as the minimum focus distance is 20 cm or 7 inches.  This adds a lot to the practical use of this lens, as it gives a reproduction ratio of 1:3.9.  It was never indented to be a macro lens, but does make for some rather interesting perspectives in it’s use.  This is a non CPU lens, thus it will not work on some consumer level cameras and of course does not allow for most automatic operation.  You can however use the aperture preferred mode, but must change the f stops on the lens itself.  It has 1/2 stop clicks.  Neither the aperture  changing nor manual focusing have presented me with any problems on the D3.  Then I was of course brought up with manual focus only cameras and lenses.  You do have to go into the menu, select the “non-cpu lens” and fill in the focal length and maximum aperture.

“Wait there’s more”!!!  Always wanted to use that line, in this case however it is true.  The Nikon designers really went to work on this lens.  Not only is it super sharp, but seems clear of CA’s and distortion.  Maybe close up there is a little distortion, but in general you get very straight lines.  Of course depending on one’s style and intent, this could be a blessing or a deficit.  Wide open the lens does exhibit some vignetting, but since I have my vignetting control turned off and usually end up adding some in post this not a problem for me.  Actually as you may imagine I prefer it.  All in all I have to this point encountered no problems and am more then very pleased with the performance.  That is as earlier mentioned while using it with the D3, how well it would fare on a camera like the D3X will at least for me remain a mystery (at least until that time one falls into my eager and sweating palms).  Though I feel confident in saying it will most likely perform admirably.

Recommendations

Yes I highly recommend this lens.  There are others to be sure that are worth looking into.  For instance if your budget allows the 28mm f/1.4 AF-D lens would be a winner as would the 28mm f/2 A-is lens and of course the new 24mm f/1.4 G lens.  Though I cannot believe that they could be any sharper then this lens, only faster and costlier and . . . .    Zeiss also makes an exceptional 28mm f/2 lens, that would be worth a look.  Though once again it is much bigger and more money (like four times as much).  Notice I keep mentioning size.  It is where I am at these days, so you the reader must take that into consideration.  However if size and cost, not to mention razor sharpness and close focusing capabilities are important to you, then this lens should be highly considered.

Before we get into the examples, some last thoughts.  The first shot I took with this lens (the photo of the lens cap below) reminded me of looking at a Kodachrome slide, when I viewed it on the monitor of my D3.  Maybe it was the nostalgia that the lens evoked in me, but be your own judge.  Most of my first shots were close-ups as you might imagine (you know the new toy syndrome), then later on I went out and shot more conventional wide angle scenes.  At first I was missing the wider focal lengths provided by the 17-35mm zoom and my earlier prime WA’s (20mm f/4 & 24mm f/2.8).  Over the time that I have spent with this lens I have started to adjust to it’s focal length and really not missing those wider perspectives.

Garbage canThe Beach ShacksTrees looking upThe fern up closeBuilding B&W VButton on jacketBerriesFlagLens capPencilsRail and monolithSteps and ColumnsV&M&KMag & VeraClock on MantelSteps